Rating: 4 out of 5
Over Thanksgiving break I watched “The Hunger Games: Mockingjay, Pt. 1” more out of obligation than anticipation. I’ve been vocal about how much I despised the ending of The Hunger Games trilogy, so this movie is just one step before the major letdown.
That being said, I enjoyed the film more than I thought that I would. Even though it stops short after Peeta’s rescue mission, it was engaging enough during the buildup to keep things interesting.
I also liked the casting of the new characters: Alma Coin, president of District 13 (played by Julianne Moore), and the district’s Roman-inspired squad consisting of Cressida, Messalla, Castor, and Pollux. I’ve always loved Natalie Dormer (of “Game of Thrones” and “The Tudors” fame), and I look forward to her role as Cressida growing in “Pt. 2.”
Similar to “Gone Girl,” this movie emphasizes how media can influence events by spreading certain messages via mass communication. The emerging rebellion on the Capitol is not nearly as important as the cat-and-mouse game that Katniss is forced to play with President Snow through her various propaganda videos and the district’s hacking into the Capitol’s telecom system.
As for Katniss herself, I much preferred her character on-screen than in the book, because readers of Mockingjay are limited to her point-of-view–which, let’s be honest, totally sucks because she’s a crazed, drugged-up trauma survivor suffering from PTSD. She’s still that same person, but fortunately she must share screen time with all the other characters who are actually getting things done.
And despite his infrequent appearances, I give major props to Josh Hutcherson for deftly expressing Peeta’s torturous mental and physical decline. Buzzfeed insightfully reported that “Mockingjay: Pt. 1” challenges Hollywood stereotypes by inverting the “damsel in distress” trope. Here, Peeta is the vulnerable victim and Katniss is the action hero who must save him.
In fact, I would argue that all the characters in this saga are more nuanced and multi-dimensional than the plot as a whole. I may hate the way that Suzanne Collins ends this chess game of hers, but damn do I love the pawns. I can only hope that these amazing actors can evolve in such a way that transcends the fate that awaits them in the final installment.